I tend to be on the move a lot. It’s critical for me to access really good wi-fi. A cafe, such as Fika in Hastings is perfect for writing, great coffee and a reasonably quiet space to work. But it doesn’t have to be as quiet as an exam room or public library, especially if my writing is re-writing. I do like a bit of hub-hub and sometimes music. I like listening to classical or jazz but occasionally, that’s not right for what I’m working on. So, I will listen to the Clash, the Jam or PJ Harvey or a new band from Brighton called grasshopper. Or perhaps I will seek the company of someone like, Emily Barker, whose music has a really cinematic quality, which is obvious when you think why the theme for the BBC version of Wallander is so loved.
The Blank Page
Ah, yes, the blank page.
This is sometimes the easiest and sometimes the hardest place to be starting. If you’ve literally not got anything to work with, should you be looking at this page? You could, as I do, start a process of speed writing, or think of a character you’ve not met before and start there. It becomes easier, as you accumulate some notes and some images. What do I really want to write about? Who do I want to write for?
Even better is to be already looking at an outline or the beginning of a draft. You’re hungry to let the story flow. And then you stop. If you’re like me, that could be for years. If I’m writing to commission, no chance – I will find a way. I had to pitch the idea and sell it to someone else, so there’s no way I’m going to waste that opportunity. But if it’s an idea that I was so excited about, however, when I started (possibly too early) I did not find a way to get to the heart of why I needed to write it in the first place. Like many other writers I will put it away, and wait. I’ve recently revived a few ideas and conquered my original doubts or found that elusive ‘heart’.
The First Draft
The first draft is critical for me. If I can get there, no matter how rushed, then I have something to hold on to. The reason, those ideas I’ve still got safely stowed in my bottom drawer, remain there, is that I cannot get to that point. If I want to avoid that blank page and make my writing flow and not feel constrained. I write with an outline. I prefer to focus on a story that feels fresh. Which, of course, I am – just working within a framework that will get me using the strongest possible narrative shape.
I think I’ve taken longer than most to work this out. Writing is re-writing. This means working on the first draft and producing multiple drafts to achieve my best writing. I know what I need to do to create a satisfying work of fiction or theatre. And in the case of film, a blueprint for a director and production team to follow. My viewpoint is the main focus of the next few drafts. Only then will I open it up to trusted readers – or if I’m under commission, start work on it with the producer. Press on, Write it, then craft it. Craft it again, and again. Writing is re-writing.
Be a collaborator
I love writing for theatre because of the opportunity to collaborate with a team. Film follows the same principle, though commercial film can often feel alienating for a writer. As a screenwriter for hire you’re part of a team. Just not driving the project in the same way a playwright does in the theatre. The ultimate collaboration, though, is the one I can have with readers of my fiction. The act of reading is a creative one. All readers bring their imaginations to help construct the world within a work of fiction. Reading is good for you, I think, because it exercises your imagination. Sometimes, it takes effort to work with a writer, because of your language, characters, themes or style. So if you’re a regular reader of fiction, thank you for reading!
Stay With Me takes you from the macabre to the fantastic, highlighting the incremental changes in disparate lives. Each character navigates changing worlds, circumstances and memories. Compelling, strange and heartfelt, Stay With Me brings together the best of a darkly humorous mind.